NEW YORK (AP) 鈥� has her hands (and feet!) in many different projects simultaneously, but all are motivated by her passion to use her platform to promote diversity in all the spaces she inhabits.
The first Black woman to be promoted to principal dancer for the American Ballet Theatre in 2015, Copeland says she never takes that opportunity for granted. Beyond performing, she says she feels a responsibility to show the importance of representation, and work on projects that are an extension of who she is as a dancer.
Her influence has transcended the , head of her own production company and charitable foundation, and now co-founder and designer of a new athletic wear brand, Greatness Wins, that focuses on clothing for women of all ages and body types.
Copeland also likes to try new things that scare her so she鈥檚 taken on the role of interviewer on a new show called 鈥淧BS Arts Talk,鈥� where she recently interviewed painter Nathaniel Mary Quinn and dancer and choreographer Twlya Tharp.
Copeland spoke with The Associated Press about her new focus, fighting for more inclusive emojis, and staying in shape.
Remarks have been edited for clarity and brevity.
AP: You know Tharp personally so what was it like being on the other side and interviewing her?
COPELAND: Twyla it ended up being more nerve wracking once I got into it with her because 鈥� I mean, I should have known 鈥� I鈥檝e been working with her since I was 6 years old. I鈥檓 41 now鈥� she鈥檚 a ball buster. She wants to push the boundaries and it didn鈥檛 matter what question I asked her, she was going to push me (laughs) in every way.
But also, we鈥檝e had an amazing relationship and she鈥檚 been a mentor to me my whole career. I was nervous being on this side of things. And, you know, whenever we would cut, she would just say, 鈥淢isty, just be you. You鈥檝e done so much, there鈥檚 nothing you have to prove. Let鈥檚 just talk.鈥�
AP: Quinn has a compelling personal story that he brings into his art. How did that inform your artistry to talk to him?
COPELAND: It was so emotional just hearing his story and the way that he tells it. And to see it so vividly reflected in his work is inspiring as an artist. I asked him about what it was to be a Black artist and has it been a struggle and he just looks at things in a very different lens, at least from what my experience has been as a Black artist. And I think those two different stories are so important to tell. He kind of uses these things that he鈥檚 gone through as a launching pad. And he鈥檚 like 鈥淚鈥檓 an artist. I make work that I hope will speak to all people. Of course I鈥檓 thinking about my community, but it鈥檚 for everyone.鈥�
AP: You executive produced a new documentary called 鈥淟IFT鈥� about a program that helps kids experiencing housing insecurity find ways to express themselves through dance. Why was that important to you?
COPELAND: It follows a handful of young people and really watching how LIFT has provided tools to be better human beings to evolve and to kind of make choices in a positive way. But it鈥檚 just showing the power of the arts. That to me is like the grand scheme theme is that art saves lives, and dance and ballet can be inclusive. It鈥檚 about who鈥檚 teaching it. It鈥檚 about getting rid of all of the trauma and things you鈥檝e dealt with and coming into the room and bringing ballet at its core to these young people. It鈥檚 just a beautiful documentary.
AP: It feels like everything you do has a sense of common purpose, why?
COPELAND: I鈥檝e always felt so privileged to be in the position that I鈥檓 in. I鈥檝e watched generations and generations and I have relationships with a lot of these dancers, Black and brown, who weren鈥檛 given an opportunity like I have. So I feel a responsibility being in this position that it鈥檚 not just about going on stage and performing, though that鈥檚 extremely important to have representation in that space. But for me to do everything I can to show what I鈥檝e gained by being a part of this art form and the importance of diversity, the importance of having representation.
It鈥檚 amazing to have these things that are an extension of who I am as a ballerina.
AP: Why did you start a petition to create new emojis related to dance that are more inclusive?
COPELAND: Dance should be inclusive, it should be uniting. It鈥檚 a universal language. It should be for everyone. These may seem like small, insignificant things to a lot of people, but there鈥檚 a much bigger meaning and deeper meaning behind it. You know, going back to the history of the pink tight and the pink ballet slipper 鈥� yes, there were white European people doing it in that time, so they made these things to reflect them in their skin color. But now that鈥檚 not all who鈥檚 dancing and who鈥檚 being exposed to it. So we should see that representation through and through.
I look at these young people who are influenced by these things like emojis. They鈥檙e on Tik Tok, they鈥檙e texting, they鈥檙e on Twitter and Instagram. It may seem like an insignificant thing to maybe someone my age, but these young people want to see themselves represented and reflected in these spaces.
AP: You are so busy, do you still make time to train?
COPELAND: I was up at 5 a.m. this morning on the treadmill (laughs.) I鈥檓 not actively on stage right now because I really felt like it鈥檚 kind of now or never. I鈥檝e had an incredible career so far with ABT, and I鈥檝e done everything and more than I imagined.
I鈥檓 now in a position where I鈥檝e founded this athletic wear line with Derek Jeter and Wayne Gretzky, Greatness Wins. I鈥檓 the president and founder of the Misty Copeland Foundation. I sit on the board of Lincoln Center and The Shed. All of these things that I think are such an incredible evolution of where I鈥檝e come from as an artist and as a Black artist. And I now am in these spaces where I can have impact and I have a voice and I have power and I want to take advantage of this time.
But yes, I still have to take care of myself. I have to put myself first and make sure I鈥檓 healthy so that I can take care of my 18-month-old and do all these other things.
AP: Does your son show any desire to dance?
COPELAND: 100%! He came out of the womb with quads and calves and he鈥檚 like this little muscle man. And he鈥檚 obsessed with ballet, which I did not try and do! He didn鈥檛 see ballet until about a month ago, just on the screen. And he dances. It鈥檚 unbelievable. I can鈥檛 wait to actually get him in a formal dance class.
Brooke Lefferts, The Associated Press
