BEVERLY HILLS, California 鈥� For Ryan Coogler, the essence of Black Panther came down to one question: What does it mean to be African?
The Oakland-born maker of Creed and Fruitvale Station had been given the gargantuan task of shepherding Marvel鈥檚 iconic superhero to the big screen, with a budget five times bigger than he鈥檇 ever had, Hollywood鈥檚 most powerful studio behind him and the freedom to make Black Panther as personal as he wanted.
Coogler had made his name creating films about the black experience, but both were about the black American experience.
Black Panther, which opens next week, was an African story and when Coogler signed on for the movie, he鈥檇 never been.
Now, he鈥檇 finally get his chance.
鈥淭his is the most personal film I鈥檝e ever made, which is the strangest statement to say, because I only make films that are personal,鈥� Coogler said. 鈥淭his film for me started with this question of: 鈥榃hat does it mean to be African?鈥� It鈥檚 a question that I鈥檝e always had since I learned I was black, since my parents sat me down and told me what that was. I didn鈥檛 totally understand what that meant. As kid, you鈥檙e like, well wait, why? Like, so wait we鈥檙e from Africa? What鈥檚 that?
鈥淚鈥檓 31 years old and I realized I never really took time to grapple with what it means to be African. This film gave me the chance to do that,鈥� he said.
When the wheels touched down in Cape Town, South Africa, Coogler remembers being overcome with a visceral feeling that he still can鈥檛 put words to. He went to Table Mountain and thought: 鈥淚 could be buried here.鈥�
In Nairobi, he saw a Maasai man wearing traditional clothes and speaking on a cellphone. 鈥淭hat鈥檚 Wakanda,鈥� he thought. 鈥淭hat鈥檚 Afrofuturism.鈥�
And that鈥檚 what he set out to translate into the language of cinema in Black Panther. It鈥檚 the 18th film in the Marvel Cinematic Universe and based on 50-year-old Stan Lee and Jack Kirby-created material, sure, but this is far from being just another superhero movie.
Wakanda, a fictional African nation, is an insulated, un-colonized and technologically advanced country that鈥檚 both deeply traditional and dazzlingly modern. Black Panther paints a multifaceted portrait of a nation in flux, as T鈥機halla/Black Panther (Chadwick Boseman) ascends to the throne following his father鈥檚 death.
Actor Danai Gurira (The Walking Dead), who plays Okoye, the general of the Wakanda warriors known as the Dora Milaje, grew up mostly in Zimbabwe. She said she was 鈥済iddy鈥� with 鈥渃hildlike joy鈥� when she understood how Coogler intended to show Africa and its inhabitants, such as Okoye, the spy Nakia (Lupita Nyong鈥檕) and the scientist Shuri (Letitia Wright) 鈥� and those are just the women.
Black Panther creates a precedent that kills the ability of folks to misrepresent and distort the continent, Gurira said. 鈥淭he things that it checks off: complex African female characters; African language on a big screen; African characters who are varied in many different ways and heroic; the heroism of Africans for themselves and not needing a white hero 鈥� go figure 鈥� to reach their goals; celebrating so many specific African cultural-isms. No one can really now try to put forth some product where Africa is seen begging for a white superhero to come and save it.鈥�
Black Panther has the makings of an all-out cultural event.
鈥淚t鈥檚 the biggest, blackest movie that鈥檚 ever been made,鈥� said veteran journalist and television writer Marc Bernardin.
And it鈥檚 already signalling a seismic shift that that could make an impact big enough to change the entertainment industry 鈥� not that it hasn鈥檛 taken decades to get the African king and warrior to the big screen.
Wesley Snipes tried for years to get a Black Panther film off the ground, bumping up against antiquated thinking about how 鈥渂lack movies don鈥檛 travel鈥� (code for a film鈥檚 potential to make money internationally).
Even in the modern Kevin Feige-led superhero era, where seemingly every comic-book character is fair game for a film, T鈥機halla was pretty far down on Marvel鈥檚 list (Ant-Man and two Guardians of the Galaxy films came first). But Marvel had a plan, and introduced T鈥機halla in a small but impactful part in Captain America: Civil War to set up the stand-alone film.
Coogler brought along many of his most trusted collaborators, such as actor Michael B. Jordan to play the villain Erik Killmonger, cinematographer Rachel Morrison and production designer Hannah Beachler. He even got his hometown in the film.
Get Out star Daniel Kaluuya, who plays T鈥機halla鈥檚 best friend, says he鈥檚 still processing what he saw in Black Panther.
鈥淭o even have 90 per cent of the cast speaking in an African accent? To me, it鈥檚 like, what is that? No one has ever seen something like that before. You think: 鈥極h I鈥檝e been deprived,鈥� 鈥� Kaluuya said. 鈥淚 think it鈥檚 going to mess with people. I think people are going to stand straighter. I think people are going to be emboldened. It鈥檚 like, wow we can do this. We can do this at this level and bring it home.鈥�
Walt Disney Co. chairman Bob Iger told shareholders Tuesday that ticket presales are outpacing every other superhero movie ever made. Box-office analysts have projected that it could earn upward of $150 million US in its first four days in theatres over next weekend (and could beat Deadpool鈥檚 $152 million record). In sum, it鈥檚 already looking at around $400 million in ticket sales domestically. And it鈥檚 currently resting at a cozy 100 per cent fresh on Rotten Tomatoes.
Jordan, who has been by Coogler鈥檚 side since Fruitvale Station, said a storm is brewing with this movie.
鈥淥ther studios are going to want to make movies like this and understand what the representation of this thing means,鈥� said Jordan. 鈥淚t was important for the biggest studio in the world to get behind that. Now it鈥檚 safe for everybody else to kind of do the same thing.鈥�
Some are a little more skeptical that this will happen.
鈥淭he optimist in me would like to believe that this is going to be the dam strike that unleashes a wave of Afrofuturism and this torrential onslaught of awesome,鈥� Bernardin said. 鈥淭he realist in me who has been working in and around Hollywood for 25 years knows that it is far more likely, sadly, that Hollywood will interpret this as a unicorn.鈥�
Of course, only time will tell if Black Panther is a turning point or an anomaly. For now, Coogler just hopes people like it.
鈥淢y experiences when I was there on that trip eased a lot of questions that I had, a lot of pain that I had. And I tried to put all that into the movie,鈥� Coogler said. 鈥淚 don鈥檛 want to let the audience down.鈥�
