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Critics' picks in music, theatre, film

MUSIC What: Smalltown DJs and Grand Theft with The Shrew When: Tonight, 9 p.m. Where: Club 9ONE9 (919 Douglas St.

MUSIC

What: Smalltown DJs and Grand Theft with The Shrew

When: Tonight, 9 p.m.

Where: Club 9ONE9 (919 Douglas St.)

Tickets: $15 at Lyle’s Place and the Strathcona Hotel

Why: There’s no shortage of goodness on this block-rocking triple-bill, but take particular note of Smalltown DJs, the Calgary duo that has been foraging across sa¹ú¼Ê´«Ã½ on its 18-date Good People tour. The duo of Pete Emes and Mike Grimes knows precisely how to rip the roof off a club, so be warned if you plan on catching their set tonight at Club 9ONE9. It will take until Christmas for you to recover.

— Mike Devlin

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THEATRE

What: Gotta Getta Gimmick

Where: Belfry Theatre (studio)

When: Monday, 8 p.m

Tickets: $15 (Belfry box office 250-385-6815)

Why: This Victoria troupe has earned a big local following for its musical theatre cabaret nights. This time, local notables Michael Shamata (the Belfry Theatre’s artistic director) and renowned director Glynis Leyshon (acting as host) are helping out with the fun. For the first half, the cabaret zeroes in on songs by Jerry Bock and Sheldon Harnick, who created Fiddler on the Roof and other musicals. For Act II, the Gotta Getta Gimmick crew offers its usual rollicking singalong in the lobby bar.

— Adrian Chamberlain

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FILM

What: Side by Side

Where: Cinecenta (UVic)

When: Tonight, 7 and 9 p.m.

Rating: 4 out of 5

Why: You needn’t be a certified film geek to appreciate Chris Kenneally’s engrossing and illuminating documentary about the impact of digital technology on filmmaking. Whether you’re a celluloid purist or a digital cheerleader, you’ll find plenty of cinematic food for thought here as actor and producer Keanu Reeves interviews a who’s who of directors, actors and below-the-line craftspersons, including Martin Scorsese, Christopher Nolan, Danny Boyle, James Cameron, Steven Soderbergh and John Malkovich. Their collective wit, passion and candor is as revelatory as intermittent clips comparing film and digital imagery that are intercut with enlightening excursions into editing suites and onto movie sets from Chuck and Buck to Avatar.

— Michael D. Reid