BEVERLY HILLS, California 鈥 Ken Burns has gone to war again. The filmmaker, so well known for his documentaries on baseball, jazz, prohibition, the national parks and the dust bowl, has already provided definitive films on the Civil War and the Second World War. But on Sept. 17 he launches his most controversial documentary yet, The Vietnam War.
His aim, he says, was to tell the story from both sides of the conflict and in human terms. 鈥淚t鈥檚 enough to spend 10 years just trying to wrestle this story to the ground, and we felt that it was hugely important because the story is rarely told from more than one perspective,鈥 he says.
鈥淎mericans like to talk about this seminal event. And we believe that it鈥檚 the most important event in United States history since the Second World War. We tend to talk only about ourselves. And the triangulation that we thought we could achieve by having these other voices and other perspectives would lend credence to the idea that there isn鈥檛 a SINGLE truth in the war,鈥 he says in a press gathering here.
鈥淚n fact, there鈥檚 many truths that can coexist, and that might help to take the fuel rods out of the division and polarization that was born in Vietnam that continues to this moment.鈥
The 10-episode, 18-hour series airs on PBS and includes rare and remastered archival footage, historic news broadcasts, home movies, and even rare audio recordings from inside the White House. It features music from the most famous artists of the era as well as original tunes from Trent Reznor and Atticus Ross and works of the Silk Road Ensemble with Yo-Yo Ma and his mournful cello.
Burns and co-director Lynn Novick, spoke with thousands of witnesses in researching the project, and 79 are featured in the series.
There were also prominent people who they did not interview. 鈥淥ne of the first things we did is we went to John McCain and John Kerry and said, 鈥橶e need your help. We鈥檙e going to do this, but we鈥檙e not going to interview you,鈥 says Burns. 鈥淵ou will be in it in your archival selves, but you鈥檙e alive today. And we don鈥檛 want you in any way sort of spinning or anything like that.鈥 We didn鈥檛 quite put it that way,鈥 he smiles.
鈥淲e weren鈥檛 going to talk to Dr. Kissinger or Jane Fonda or a number of other people.鈥
One of those directly involved in the conflict was retired Air Force Gen. Merrill McPeak, who says he knew the minute he landed in Vietnam that the U.S. could not win the war.
鈥淚t was obvious to me that this was a losing effort. The Saigon regime was corrupt. Everybody knew it. We knew it. They knew it. They were not popular in their own country, and I concluded that this just wasn鈥檛 going to work because the policy foundations weren鈥檛 set properly to enable us to win,鈥 he says.
鈥淲hat did the war look like from the other guy鈥檚 point of view? That鈥檚 something I don鈥檛 think civilians worry about much, but professionals do.
鈥淲hat were the policy foundations of North Vietnamese involvement? They were, first of all, to throw off the yoke of imperial power in their neighborhood. Not just the French, but the Japanese before them, and then the French before the Japanese and so on, Chinese, going back in history.
鈥淲e understand that, don鈥檛 we? We had a Revolutionary War of our own about throwing off imperial power and getting our own national independence. So that鈥檚 a pretty good, solid policy foundation to build a war on 鈥 if you鈥檝e got an objective like that,鈥 he says.
The country had also been divided by an earlier Geneva Accord, says McPeak, and many Vietnamese longed to unify the country. 鈥淎nd that was (perpetuated) in Hanoi. Well, do we understand that policy objective? We had a Civil War about that issue, that same issue here in this country,鈥 he says.
鈥淎nd in the north, you had ... the person of Ho Chi Minh, a symbol that summarized all that into an iconic national figure. ... So I think that if you try to look at this problem from the other guy鈥檚 point of view, you鈥檒l see what was wrong with our intervention there. It was a losing cause from the beginning, and we put 58,000 names on a wall in Washington for no good reason.鈥
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