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At 40, the Sundance Film Festival celebrates its past and looks to the future

Anna Boden and Ryan Fleck remember the feeling of being the new kids at the Sundance Film Festival.
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This image released by the Sundance Institute shows a scene from "Daughters" by Angela Patton and Natalie Rae, an official selection of the U.S. Documentary Competition at the 2024 Sundance Film Festival. (Sundance Institute via AP)

Anna Boden and Ryan Fleck remember the feeling of being the new kids at the In 2004, they鈥檇 come to Park City, Utah, armed with a short film 鈥淕owanus, Brooklyn,鈥 some homemade promotional postcards and dreams of breaking through. Their short not only won a prize that year but also enough support to make the feature version, 鈥淗alf Nelson,鈥 which would later earn his first Oscar nomination.

鈥淚 remember being like, oh my God, this festival has been around 20 years, it鈥檚 such an old festival,鈥 Boden said in a recent interview with The Associated Press. 鈥淣ow it鈥檚 20 years later and we鈥檙e the old people.鈥

Of course, 鈥渙ld鈥 is relative when it comes to a discovery festival like Sundance, where directors fresh out of film school can get a shot Remember, Kevin Smith was just 23 when he brough 鈥淐lerks鈥 to Park City. Like many of their contemporaries that started at Sundance 鈥 including Steven Soderbergh, who is also coming with a new film, 鈥淧resence鈥 鈥 Boden and Fleck have gone on to bigger projects, including

But the Sundance romance hasn鈥檛 dulled.

Their new film debuts Thursday, , at the storied Eccles Theater. 鈥淔reaky Tales鈥 is a love letter to Fleck鈥檚 hometown, Oakland, in the 1980s 鈥 music, history and the movies of the time 鈥 featuring Jay Ellis, Dominique Thorne and Ben Mendelsohn.

鈥淚t鈥檚 a movie lover鈥檚 movie,鈥 Boden teased. 鈥淚t has one foot in reality and then one foot just launches off into fantasy.鈥

The first day also boasts the world premieres of several high-profile documentaries, including 鈥淕irls State,鈥 鈥淧ower鈥 and 鈥淔rida,鈥 directed by Emmy-nominated editor Carla Guti茅rrez, and playing in the U.S. documentary competition.

As an immigrant and a former art student, Guti茅rrez has long admired In 鈥淔rida,鈥 she uses Kahlo鈥檚 words from her diary, letters and essays to let the artist tell her own story.

鈥淯ncovering her own words and her own voice, I think what we鈥檙e presenting is a new way of getting into her world and in her mind and her heart and really understanding the art in a more intimate, raw way,鈥 Guti茅rrez said.

Other anticipated documentaries playing across various sections include 鈥淒aughters,鈥 about four young girls reuniting with their incarcerated fathers at a dance, 鈥淕aucho Gaucho,鈥 from , 鈥淪ue Bird: In the Clutch,鈥 鈥淒EVO,鈥 鈥淪uper/Man: The Christopher Reeve Story,鈥 鈥淪eeking Mavis Beacon,鈥 and 鈥淭he Greatest Night in Pop,鈥 featuring never-before-seen footage about the making of 鈥淲e Are The World.鈥 The programmers are also predicting that 鈥淲ill & Harper,鈥 about a road trip Will Ferrell takes with his friend of 30 years who has come out as a trans woman, will be a big crowd pleaser.

As always, an army of celebrities are expected to descend on Park City, including Kristen Stewart, with two buzzy films ("Love Me" and 鈥淟ove Lies Bleeding鈥), Saoirse Ronan, Sebastian Stan, Glen Powell, Woody Harrelson, Steven Yeun, Lucy Liu, Aubrey Plaza, Melissa Barrera and Laura Linney.

Chiwetel Ejiofor is also bringing his sophomore feature, 鈥淩ob Peace,鈥 a biographical drama about the tragically short life of a brilliant kid from East Orange, New Jersey, which he wrote, directed and co-stars in alongside Jay Will, Mary J. Blige and Camila Cabello.

鈥淚鈥檝e been fortunate to be there many times as an actor and a director as well,鈥 Ejiofor said. 鈥淚t鈥檚 a dream to take this film there as well. It鈥檚 an American story, it鈥檚 an independent film and it wants to sit in that world.鈥

Sundance programmers culled through 17,435 submissions to arrive at the 83 feature films playing across the 10 days, featuring a diverse mix of behind-the-camera talent. There are new episodic projects from Debra Granik and Richard Linklater, as well as 31 feature debuts.

Guti茅rrez is one of those first-time directors, as is Titus Kaphar, an acclaimed contemporary artist and MacArthur Fellow who is making his narrative debut with the competition title 鈥淓xhibiting Forgiveness.鈥 Featuring Andr茅 Holland and Aunjanue Ellis-Taylor, Kaphar uses his own paintings to tell this very personal story of an artist who is visited by his estranged father (John Earl Jelks). He wanted to find a way to talk to his children about his life experience and examine generational trauma in a new medium, and he鈥檚 honored to have the festival鈥檚 support.

鈥淢y favorite films are Sundance films,鈥 Kaphar said. 鈥淭o be allowed into this new community of artists, a community of directors and filmmakers 鈥 it鈥檚 pretty extraordinary.鈥

The excitement isn鈥檛 lost on Sundance mainstays like Jesse Eisenberg, who has been going to the festival since 鈥淭he Squid and the Whale.鈥 This year, he鈥檚 bringing a film that he鈥檚 been wanting to make for almost as long. In 鈥淎 Real Pain,鈥 which he wrote and directed, he plays an American who travels to Poland with his cousin (Culkin) to see where their late grandmother, a Holocaust survivor, was from.

鈥淚t鈥檚 about how we kind of view modern pain versus historical pain, but not in a didactic way. I didn鈥檛 want the movie to feel like homework,鈥 Eisenberg said. 鈥淚 wanted it to feel funny and light and only contemplative like that in retrospect.鈥

And everyone has different ways of experiencing their films at Sundance. Boden and Fleck are especially looking forward to a 鈥渞aucous鈥 crowd at the Eccles. Eisenberg will probably step out when the lights go down 鈥 he knows from experience that it makes him too anxious.

鈥淢y nerves are a little redirected towards hoping people like it in a kind of holistic way, rather than just my acting,鈥 said Eisenberg. He also appears in another highly anticipated film: 鈥淪asquatch Sunset,鈥 from David and Nathan Zellner, in which he and Riley Keough are unrecognizable as a family of, yes, sasquatches.

The Robert Redford-founded festival is, mostly, forward thinking 鈥 but they are taking some time to appreciate the art that has come out of Sundance over four decades. Just take a look at the 鈥渁ll-time top 10鈥 released Tuesday, voted on by more than 500 filmmakers, critics, and industry members. The list of classics includes: Joel and Ethan Coen鈥檚 鈥淏lood Simple鈥 (10th), Soderbergh鈥檚 鈥渟ex, lies and videotape鈥 (sixth), Jordan Peele鈥檚 鈥淕et Out鈥 (third) and Damien Chazelle鈥檚 鈥淲hiplash鈥 (first).

The question now is what will pop from the 2024 festival. Will audiences see the next 鈥淏efore Sunrise,鈥 鈥淢emento,鈥 鈥淵 tu mam谩 tambi茅n,鈥 鈥淟ittle Miss Sunshine,鈥 or 鈥淩eservoir Dogs,鈥 and other films that have transcended their humble indie roots to become all-time classics? Will there be another Oscar nominee, or winner?

Festival director Eugene Hernandez noted a vibrancy in the lineup that reminded him of his earliest days going to the festival, in the 1990s.

鈥淚t鈥檚 such a rich, rich combination of films that I that I think exhibit some really wild and adventurous creativity,鈥 Hernandez said. 鈥淭hat is really nourishing in a year when we鈥檙e acknowledging and marking this 40th edition of Sundance.鈥

The Sundance Film Festival runs from Jan. 18 through Jan. 28.

Lindsey Bahr, The Associated Press