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Steve Van Zandt gets rock star treatment in new documentary

NEW YORK (AP) 鈥 Steve Van Zandt still looks every bit the rock star. But underneath his purple headscarf, paisley shirt and snakeskin boots, Van Zandt says he still hates being the center of attention.
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FILE - Stevie Van Zandt appears at the "Stevie Van Zandt: Disciple" premiere during the Tribeca Festival on June 8, 2024, in New York. (Photo by Charles Sykes/Invision/AP, File)

NEW YORK (AP) 鈥 Steve Van Zandt still looks every bit the rock star.

But underneath his purple headscarf, paisley shirt and snakeskin boots, says he still hates being the center of attention.

鈥淚鈥檓 a bit of a contradiction and paradox,鈥 he says, sheepishly laughing after an interviewer notes the musician-actor-activist might be in the wrong lines of work.

Perhaps it should be no surprise that Van Zandt, 73, had to be coaxed into participating in a documentary about his remarkable life and career. The result is 鈥 which airs on HBO and streams on Max 鈥 and covers not only his years as a guitar-jamming singer-songwriter, but also as a music producer, playing Silvio Dante on 鈥淭he Sopranos,鈥 and his lesser-known roles as an activist, radio host, music educator, and entrepreneur.

The man affectionately called 鈥淟ittle Steven鈥 by fans says he feels mostly gratitude about the film. 鈥淚t鈥檚 an honor that somebody cared enough about my life to make a movie about it. And I鈥檓 happy that the work is going to be seen,鈥 Van Zandt told The Associated Press. 鈥 ... it鈥檚 a little embarrassing and awkward.鈥

Director Bill Teck, a lifelong fan of Van Zandt鈥檚 music, says he started inquiring about a documentary on his life and career in 2006, but received a hard no. After following up every few years, Van Zandt finally agreed in 2018, but he didn鈥檛 even want to be interviewed. Teck eventually convinced him audiences wanted to hear Van Zandt's version of how his career in rock evolved 鈥 starting with his teen years playing in New Jersey bands, where he met his lifelong friend and collaborator, .

鈥淲e were not capable of doing anything else. We were truly freaks, misfits and outcasts,鈥 Van Zandt says. 鈥淲e were not enamored with the options society was giving us." He recalled the impact bands like the Beatles and Rolling Stones had on him and other Jersey musicians that encouraged them to keep performing. 鈥淪uddenly we had a place. We had a little hope,鈥 he says.

The film includes interviews with rock legends 鈥 Paul McCartney, Springsteen, Bono, Bill Wyman, Eddie Vedder and more 鈥 all raving about Van Zandt鈥檚 skills as a producer and writer, but also as a pioneer in rock 鈥榥鈥 roll. 鈥淚t seemed like every rock star in the firmament was eager to speak about Stevie,鈥 Teck says.

Music is central to the documentary, but Teck also spends time on Van Zandt鈥檚 activism, especially his integral part in forming the Artists United Against Apartheid in the 1980s. Van Zandt recruited artists, including Springsteen, Bob Dylan, Ringo Starr and Run-DMC to sing on his anthem, 鈥淪un City,鈥 which brought attention to what was happening in South Africa.

鈥淪teve is a guy that will say rock and roll is the greatest tool for social change that there is,鈥 Teck says.

Van Zandt鈥檚 involvement also helped influence the U.S. Senate to override President Ronald Reagan鈥檚 veto of legislation imposing sanctions on South Africa. 鈥淚t was a very rare, complete victory," Van Zandt says. "I鈥檓 very proud of it.鈥

鈥淒isciple鈥 also covers the painful period when Van Zandt split with Springsteen and quit the E Street Band just as it was gaining global popularity. He says he hopes to inspire people by all he accomplished after he thought his life was over 鈥 including solo music, producing for other artists, and political activism 鈥 before eventually rejoining his E Street pals years later.

鈥淭he first dream doesn鈥檛 work out. Whatever. Hang in there a little bit. If you can avoid being an alcoholic or drug addict and feeling too sorry for yourself and committing suicide 鈥 all of which I considered 鈥 hang in there and maybe destiny 鈥 has something in mind that, you couldn鈥檛 have anticipated.鈥

Van Zandt says he was a friend and confidante to Springsteen and one of the few who was honest with him, even when they had artistic differences. Later in the documentary, he draws parallels when his character, Silvio Dante, became the underboss and consiglieri to mob boss Tony Soprano in 鈥淭he Sopranos.鈥

鈥淥nce that role 鈥 started to be written that way, I鈥檓 like, 鈥極h, I understand these dynamics very well. ... I鈥檝e lived my whole life with this.鈥 So that really helped me, as a first-time actor, to know exactly the dynamics of that relationship鈥 being the only one really capable of bringing the bad news occasionally, because you鈥檙e the only one not afraid of them, you know?鈥

The documentary and provided an opportunity to look back and see professional struggles in a new light. 鈥淵ou don鈥檛 appreciate the teenage years because you鈥檙e trying to get into the bars. You don鈥檛 appreciate the bar band because you鈥檙e trying to get into the business and then the business鈥 you want to just get bigger and bigger and have a hit,鈥 Van Zandt says.

鈥淟ooking back now 鈥 I realize that those are some of the most fun, enjoyable years of my life.鈥

Van Zandt calls performing 鈥渇un and a wonderful way to make a living鈥 but says he gets the most satisfaction from writing, producing and directing music and television behind the scenes.

As for his unconventional wardrobe, he suggests it鈥檚 a product of nostalgia. 鈥淚 think I鈥檓 permanently in 1967. That was my favorite year, my favorite era. I love the psychedelic era,鈥 the singer says, describing it as a "liberating, creative time.鈥

鈥淭here wasn鈥檛 all of these incredible problems we face now. So it's a little bit of a mental sanctuary in a funny way.鈥

___

In the U.S., the national suicide and crisis lifeline is available by calling or texting 988. There is also an online chat at 988lifeline.org

Brooke Lefferts, The Associated Press