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House Beautiful: Family getaway destroyed by fire rises again

BAINBRIDGE ISLAND, Washington 鈥 On its聽own, 鈥渉istory鈥 implies mementos, milestones, heirlooms.

BAINBRIDGE ISLAND, Washington 鈥 On its聽own, 鈥渉istory鈥 implies mementos, milestones, heirlooms. But put 鈥渇amily鈥 first, and suddenly it suggests cherished connections: the togetherness you all treasure, the experiences you all share, the backstory you all know by heart.聽

Jeanie Ketcham鈥檚 starts with her great-grandparents鈥 Bainbridge Island, Washington, getaway.

鈥淚n the late 1800s, a small group of Seattle men who shared a love of sailing Puget Sound and its islands discovered Restoration Point,鈥 she said.

Entranced, they bought five acres. Next came one big, simple weekend cabin, with separate bunkrooms for聽the wives and children. By 1900, each family had its own little cottage, dotting the spectacularly scenic bluff facing Mount Rainier.

鈥淢y great-grandparents鈥 rambling cottage grew quickly to accommodate their five children,鈥 Ketcham said.

Four generations of family gathered there for summers and for vacations 鈥12 or more cousins at once, plus extended family, aunts, uncles and dogs, all overlapping to celebrate her grandmother鈥檚 Aug. 1 birthday.

鈥淒uring the Depression, my dad鈥檚 family lived here,鈥 Ketcham said. 鈥淚t got so cold, Dad and his two brothers would dress in their beds on winter mornings to keep warm. Several other families moved here to live full-time then.鈥

As the home expanded, so did the family photo collection: Teenagers dangle their legs off wide planks that served as a clifftop deck. An amazingly adorable toddler plops on a step with an open book, and the world鈥檚 sweetest smile. Different rooms were painted different colours 鈥 the green room had wicker; the blue a flowered theme 鈥 and there was so much wood, everywhere. 鈥淚n the summer, you could smell the warming of the wood and the saltwater,鈥 Ketcham said.

In February of 2012, two of Ketcham鈥檚 three grown children, her daughter鈥檚 fianc茅 and another young couple were sleeping there when a violent fire ripped through the home. The fire chief declared it a total loss,聽and structurally, that was accurate. Ketcham鈥檚 family, though, was blessedly intact 鈥 and determined to rebuild.

鈥淭hat was my responsibility, my job,鈥 Ketcham said. 鈥淭he house was given to me by my father. I was in a position to rebuild 鈥榯he big house鈥 so it could again be a family generational home.鈥

She couldn鈥檛 re-create the historic home, of course 鈥 nothing remained but a pair of andirons, a thick slab of wood and tiny bits of teacups dotting the foundation 鈥 but she could, and did, articulate exactly how it felt.

Her longtime architectural ally, Steve Hoedemaker, of Hoedemaker Pfeiffer, along with builder Schultz Miller, captured those feelings brilliantly in a brand-new retreat that鈥檚 at once reminiscent, and forward-looking.

"The loss of the family home, their soul home, was really emotionally charged,鈥 Hoedemaker said. 鈥淏uilding a new house was difficult, emotional, challenging: to avenge that loss and create a new stage for family, life, love, memories and history.鈥

In the translation of old to new, key words emerged: Charming. Playful. Maybe a little haphazard.

Hoedemaker understood. 鈥淭he overall form is a collection of smaller vernacular forms that could have been built over time, each space maximizing light and views,鈥 he said. 鈥淭he house that was there had a sense of something that鈥檇 been built over time, in stages, and then added on, so we worked to re-create something with a rambling quality.鈥

That starts right inside the entry, with subdued natural wood, generous window seats [and windows] and 鈥渓ots of ways in and out,鈥 said project architect Tori Masterson. 鈥淵ou have to explore and discover the view when you walk in.鈥

And that stunningly detailed staircase straight ahead (which holds a hide-and-seek hidy-hole) feels awkward on purpose, Hoedemaker said: When you get to the top, it keeps stepping in two opposite directions. 鈥淚 really wanted to create something that felt not as tidy and perfect as a staircase that somebody does from bottom to top: a sense of childlike discovery you get in a funky, rambling house.鈥

Elsewhere, resonant elements were re-created in a contemporary new light: The living room is in the same location, still anchored by an impressive brick fireplace, but now with a puzzle table, two sitting areas and lots more flexibility. There鈥檚 still a sleeping porch, but it evolved from total outdoor exposure to a wood-filled room with walls of accordion windows. Dishes and china displayed in the dining room recall an elaborate collection of Willow Ware and glasses that melted in the fire. And a cozy sunken sitting room, one of several intentional level changes, facilitates a familiar sense of togetherness 鈥 and a knockout view 鈥 from the updated kitchen.

鈥淭hat part of the house as much as any references the old house, for as big as the house was, the family really lived in the kitchen,鈥 Hoedemaker said. 鈥淲hat we wanted was both that reference and a sense that even though the house may accommodate 20 for dinner, sometimes only two people are there.鈥

Like the allover wood, and a family鈥檚 history, 鈥淲oven throughout the house is a sense of gathering,鈥 Hoedemaker said: a thoughtful collection of small and large spaces, and connections.