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Kenzo channels preppy, Celine goes for razzmatazz in Paris

PARIS (AP) 鈥 Kenzo鈥檚 designer, Nigo, found his groove for his sophomore collection at the LVMH-owned house, drawing vibrant parallels with house founder Kenzo Takada.
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V, from left, Lisa, and Park Bo-gum pose for photographers before the Celine men's Spring Summer 2023 collection presented in Paris, France, Sunday, June 26, 2022. (AP Photo/Francois Mori)

PARIS (AP) 鈥 Kenzo鈥檚 designer, Nigo, found his groove for his sophomore collection at the LVMH-owned house, drawing vibrant parallels with house founder Kenzo Takada.

Nigo has made history as the first Japanese designer to front the house since Takada, who died in 2020.

But beyond the fashion, Nigo 鈥 who has made high profile collaborations with Pharrell 鈥 has real star attraction, once again pulling in top VIPs this season such as Justin Timberlake and Jessica Biel.

Here are some highlights of Sunday鈥檚 spring-summer 2023 menswear collections in Paris.

KENZO鈥橲 BACK IN THE GROOVE

Set in a college hall and with a pervading 70s, preppy vibe, Nigo channeled the dazzling colors and mix-and-match cultural fusion that became synonymous with the house鈥檚 origins.

Hanging from the roof were flags reading 鈥淜enzo 1970.鈥 For students of fashion, a reference not lost: This date was not only the year Takada presented his first fashion show in the Galerie Vivienne in Paris in front of his new shop, Jungle Jap, but it was also the year of Nigo鈥檚 birth.

Funky scarves, a take on Boy Scout styles, morphed into colored lapels on suits that riffed on uniform.

A bright yellow patch-loaded waistcoat had an African vibrancy and mixed with Breton striped scarves, nautical themes and Asian cross-over styles in jackets. It created a dynamic cultural melting pot.

But it was the quirkiness and humor that defined spring-summer in this strong show 鈥 thick woolen socks on canary yellow flip flops, crimson flower appliques and multicolored bowler hats.

Nigo, 51, is only the second Asian designer at the head of a European high fashion label, alongside Bally鈥檚 Filipino-American Rhuigi Villase帽or. His appointment continues to represent a milestone as the luxury industry wrestles more broadly with questions over racism and diversity.

CELINE鈥橲 RAZZMATAZZ

Screaming and crying fans thronged both sides of Paris鈥 Palais de Tokyo noisily ahead of Celine鈥檚 Sunday night show. Yet they had not turned out for designer Hedi Slimane鈥檚 fashions, but for glimpse of one the world鈥檚 most adulated popstars: Kim Taehyung, aka V from BTS, the multimillion disc selling South Korean boy band.

Inside the venue, proceedings around the spring-summer collection staging were marginally calmer. Guests swigged on 鈥淐ELINE鈥 branded mini champagne bottles, as large abstract mirrors descended on cords from the ceiling reflecting light in all directions to funky rock music.

Adolescent models with shaggy hair stomped grumpily past, in the designer鈥檚 signature style, showcasing his early 70s styles that were on high the shimmer and riffed on LA rock.

Winklepickers and blue drainpipe jeans were capped with fringed black leather coats and shades -- in the Franco-Tunisian鈥檚 designer鈥檚 tried-and-tested styles. Black, gently flared pants were used as a backdrop for statement fringed coats and jackets. One came in dazzling gold sequins.

Yet despite the razzmatazz, there was little new here in the designer鈥檚 repertoire. For Slimane, who shopped a similar aesthetic at Saint Laurent with panache, it is a case of 鈥渋f it ain鈥檛 broke, don鈥檛 fix it.鈥

WOOYOUNGMI鈥橲 GENTLE CONTRADICTIONS

Sobriety met moments of punk -- and the 鈥渓ate-1990s skateboarding community鈥 -- in South Korean designer Woo Young Mi鈥檚 collection on Sunday, held in the ornate interiors of Paris鈥 Musee des Arts Decoratifs.

Classy tailoring on suits, such as a double breasted number that opened the show with a delicate nip at the waists, contrasted with white sneakers and vests. It made for a deft play in contradiction.

Pants were a big theme 鈥 designed in a trendy 90s baggy style. They hung in a beautiful curved shape at the bottom of the leg.

There were moments of sensuality 鈥 and humor 鈥 throughout this 42-piece co-ed show that marked two decades since the brand was launched. One tactile and semi-transparent blue punk vest was worn by a model with greasy grungy hair who held a posh square leather bag.

THOM BROWNE鈥橲 INFINITE VARIATIONS

It was a performative runway occasion for suit-loving Thom Browne, as VIPs including Farida Khelfa -- dressed head to toe in the designer鈥檚 garb -- arrived theatrically to take their seats after the show had apparently begun. Guests were in stitches laughing at what seemed to be intentional choreography.

A strange retro voiceover then signaled the 鈥渞eal鈥 show would commence -- as a male model with giant, spiky punk hair strutted out in an ecru tailored jacket, tie and shorts.

Pastel gray tweeds in contrasting patterns - and with multitudinous layers that were completely unfit for the spring-summer season - followed. They were worn by a model with a decorative anchor covering his face holding a hound-shaped bag, and a 鈥35鈥 sign in the tradition of old-school couture, which featured numbered looks.

Stripy socks, tailored shorts, tweed skirts, black briefcases and patterned pastel suits in checks and stripes created what seemed like infinite variations on the same theme.

Thomas Adamson, The Associated Press