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Music Review: Miranda Lambert's 'Postcards from Texas' is joyful road trip across her home state

NEW YORK (AP) 鈥 Miranda Lambert's 10th studio album begins with a plucky honky-tonk stomper, full of folksy imagery and a jaunty vibraslap sound: 鈥淲ell I met an armadillo / Out in Amarillo / And he asked me for a light,鈥 Lambert's voice swings, 鈥淚 sa
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This image released by Republic Records shows "Postcards From Texas" by Miranda Lambert. (Republic Records via AP)

NEW YORK (AP) 鈥 10th studio album begins with a plucky honky-tonk stomper, full of folksy imagery and a jaunty vibraslap sound:

鈥淲ell I met an armadillo / Out in Amarillo / And he asked me for a light,鈥 Lambert's voice swings, 鈥淚 said a where ya goin鈥 / He said 鈥業 don鈥檛 really know鈥 / And I said, 鈥楤rother I鈥檝e been there twice.鈥欌

It might be an outlier, for listeners expecting a collection more in line with the album's lead single, the classic rock-channeling 鈥淲ranglers,鈥 but it's also the perfect tone-setter. Across the 14-track release, Lambert aims to deliver sometimes-traditional country with a lot of heart.

Throughout, 鈥淧ostcards From Texas鈥 is a sonic road trip 鈥 from the steel guitar-led ballad 鈥淟ooking Back on Luckenbach" to the funny, trash-talking divorce anthem 鈥淎limony,鈥 with its not-so-thinly veiled lyrical geography.

鈥淚 called that lawyer up in Dallas,鈥 she sings in the chorus. 鈥淚f you鈥檙e gonna leave me in San Antone / Remember the alimony,鈥 the last word teased out to turn 鈥淎lamo鈥 into 鈥渁limony.鈥 It's such a rewarding lyric reversal, it feels almost prototypical 鈥 as if plucked from some great country music songbook instead of written into it.

Lambert's voice is where 鈥淧ostcards From Texas鈥 finds its cohesion, from dreamy ballads, like 鈥淲ay Too Good At Breaking My Heart" and country-rock swagger, like on 鈥淏鈥斺 On the Sauce (Just Drunk)鈥 to classic covers, like in the case of 鈥淟iving on the Run,鈥 from 1976 album, 鈥淟onghaired Redneck.鈥

Lambert co-produced the album with Jon Randall, and recorded the entirety of it at Austin, Texas' Arlyn Studios, the first time since she was 18 that she's recorded a full album in her home state. In those days, long before becoming a stalwart of Nashville's Music Row, it's easy to imagine she wasn't thinking about a homecoming 鈥 especially in a state where those considered are overwhelmingly male.

At this stage in her career, Lambert doesn't have anything to prove 鈥 and that's one of many reasons why 鈥淧ostcards from Texas" is a ride that works.

Maria Sherman, The Associated Press